“The soul that animates this music is sui generis: a mixture of interchangeable franticness, melodic research outside the customary databank canons and free jazz devoid of luxury clothes. I did manage to find a sort of disguised root in the couple’s methodological approach, which lies somewhere between the semi-serious fringes of post-RIO and – in

“The soul that animates this music is sui generis: a mixture of interchangeable franticness, melodic research outside the customary databank canons and free jazz devoid of luxury clothes. I did manage to find a sort of disguised root in the couple’s methodological approach, which lies somewhere between the semi-serious fringes of post-RIO and – in selected circumstances – Goebbels & Harth’s technically evolved recklessness. Still, the manumission of improvisational clichés and the juxtaposition of different kinds of ironically rigorous dissent fuse in an entirely satisfying statement, whose temperament and personality are quite unique.” - Massimo Ricci, Touching Extremes 2010

“Sounds seems perfectly placed without strenuous effort. There is a clear sense of two musicians being very familiar and relaxed in each other’s presence.[…] the music glows.” — Chris Kennedy, Musicworks #104, Summer 09. “The notes splatter like fat rain drops on hot pavement […] Miano and Cosottini stand out”. — D. Dupont, Cadence Magazine,

“Sounds seems perfectly placed without strenuous effort. There is a clear sense of two musicians being very familiar and relaxed in each other’s presence.[…] the music glows.” — Chris Kennedy, Musicworks #104, Summer 09. “The notes splatter like fat rain drops on hot pavement […] Miano and Cosottini stand out”. — D. Dupont, Cadence Magazine, 789/08. "Brilliant trumpet & piano duo [...] theirs is thoroughly serious music, replete with intriguing subtleties, still greatly fascinating after several consecutive listens." — Massimo Ricci, Touching Extremes, 2008.